claire rousay with Jacob Wick

Do you like my fort “We recorded the audio in person, on the dogstained couch in my living room. My dog who stained it was laying between us, farting every once in a while. That was in December. We recorded the video last week, talking on the phone. In A Lover’s Discourse, Roland Barthes writes that talking on the phone is “a cacophony, and…what it transmits is the wrong voice, the false communication.” It’s nice to know that Barthes can be wrong, too. The wrong voice is the true communication. Whose voice is right anyway. Do you like my fort? We’re trying to protect each other, to hold a space for each other, a space where we can play. Just like we’ve always been doing. “

claire rousay and Jacob Wick are a duo. Their performances chew up the fragile masculinity and tepid pretension of recent improvised music and spit out something queer and dripping. They have been performing together since June 2018.

claire rousay is a person who performs and records. She currently lives in San Antonio, Texas. Her performances and recordings explore queerness, human relationships, and self perception through the use of physical objects and their potential sounds. rousay performs with Carol Genetti, Ingebrigt Haker-Flaten, Ken Vandermark, More Eaze, Tom Carter, and others. rousay’s work has been performed at locations such as Casa del Popolo, Constellation Chicago, Experimental Sound Studio’s Option Series, Iklectik Art Lab (London), Issue Project Room, and the Tobin Center for Performing Arts (San Antonio).

Jacob Wick is an improviser, writer, and artist. His work is dedicated to and informed by queer feelings and queer politics. As an improviser and trumpet player, he has performed in a variety of contexts, including at the Whitney Museum of American Art, the Kennedy Center, and the University Museum of Contemporary Art (MUAC). He has performed with Matana Roberts, Andrea Neumann, Gerald Cleaver, Katherine Young, Judith Hamann, Toshimaru Nakamura, and others.

Chromatic System


Chromatic System is the audiovisual combination of Fez Moreno‘s test equipment music (Chromatic Currents) and Paul Baker‘s 16mm projection art (Vision System).Broken Foam and Sequential Loops are a couple of videos which attempt to convey a live Chromatic System performance.

Self-taught electronic musician Fez Moreno made his own ‘synthesizer’ out of old pieces of telecommunication and data communication test equipment that he pieced together to use in different ways. His main focus is on exploring pure sound frequencies and doing improvisational compositions incorporating his own techniques to create rich sonic landscapes ranging from minimal drone to layered percussive rhythms. He is influenced by the early electronic & musique concrète composers such as Edgard Varèse, Tod Dockstader, and Karlheinz Stockhausen, as well as early sci-fi film soundtracks.

Bandcamp
https://chromaticcurrents.bandcamp.com/releases

Youtube
https://www.youtube.com/channel/UC6RBwAaREp5bKoQkSEIkzSQ

Working in 16mm film, analog video, and digital formats, Paul Baker accompanies music with projection. He also creates his own audiovisual works of scratched and painted film collage, analog energy patterns, VHS assemblage, and databent glitch video.  His work has been screened globally and in 2012 he curated  the Transcosmic Geometry collection. He credits himself with the terms “chroma hacking” and “pixel bending”  Frequent visuals gigs include Tx Chip chiptune collective, Levitation festivals, Sub Oslo dub shows, MeMerMo Monday experimental programs, and Electric Church acid partys.

watch videos
https://vimeo.com/visionsystem
https://www.youtube.com/dronetube

purchase footage
pond5.com/artist/vision_system

Finding Ground Floor Theatre

Ground Floor Theatre is located in Suite #122 toward the back side of the complex at 979 Springdale Road in East Austin, 78702. The entrance to the complex is on Springdale Road near Govalle Ave between Lyons Road and Airport Boulevard.

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Steve Parker, Louise Jensen, Tom Bancarte

Steve Parker is an artist, musician, and curator who creates communal, democratic work to examine history, systems, and behavior. His projects include elaborate civic rituals for humans, animals, and machines; listening sculptures modeled after obsolete surveillance tools; and cathartic transportation symphonies for operators of cars, pedicabs, and bicycles. He is the recipient of the 2018 Tito’s Art Prize, a Fulbright Fellowship, a Harrington Fellowship, the Best of Austin Award, and the Austin Critics’ Table Award.  

For his set at NMASS2019 he will be joined by Louise Dam Eckardt Jensen (sax & voice) + Tom Blancarte (bass) from Denmark / NYC performing on invented instruments that invert the relationship between performer & musical instrument.

Louise Dam Eckardt Jensen (b. 1980) is a Danish-American saxophonist, vocalist and composer whose anti-authoritarian approach has led to her to a sort of bi-coastal career where she thrives simultaneously in the dense and claustrophobic environment of New York City and the idyll of the southern Danish countryside. 

This duality finds its counterpart in her music: equal parts raw, unrelenting exploration of harsh noise and questing melodic forays. Not prone to sit on the sidelines, she tends to lead or co-lead her own ensembles. She recently formed a hellish saxophone quartet comprised of legendary Japanese noise saxophonist Tamio Shiraishi, tenor saxophonist Matt Nelson (Battle Trance, Premature Burial) and young alto play Chris Pitsiokos (Weasel Walter). She is also the leader of, vocalist and composer for Danish improvised no-wave band Sweet Banditry (featuring Brandon Seabrook & Kevin Shea), the co-leader of eerie post-apocalyptic improv duo The Home of Easy Credit with husband Tom Blancarte, as well as a member of various ad-hoc improvising groups, including the Gauntlet Quartet with Peter Evans, Dan Peck and Tom Blancarte. 

She has toured extensively throughout the continental United States and Europe and has performed with musicians as diverse as Weasel Walter, Marc Ducret, Jim Black, Tim Dahl, Erica Dicker and Poul Dissing. She co-runs the Denmark-based label Marsken Records with husband Tom Blancarte. 

For over a decade, Texan bassist Tom Blancarte has been contributing a vivid pallet of dark frequencies to New York’s creative music scene, both as a freelance performer as well as a member of bands such as the electro-acoustic jazz ensemble the Peter Evans Septet, the banjo-shred power trio Seabrook Power Plant, New Timbralist free jazz noise trio Totem, an eerie post-apocalyptic duo with wife Louise Dam Eckardt Jensen (The Home of Easy Credit), improv doom tuba trio The Gate and Danish post-punk improv quartet Sweet Banditry.

A native of the Texas Hill Country in Austin, Texas, his formative years included a steady diet of fantasy and sci-fi novels, comic books and video games, and later on a total immersion in death and black metal. Accordingly, Blancarte has cultivated a demented and visceral instrumental practice that transcends the experimental bass canon and pushes improvisatory art to new extremes. He has toured extensively throughout Europe and North America, playing venues that range from dingy squatted basements to international festivals.

Recently, he has begun to perform improvised solos on the bass as an exciting new area of exploration, started reacquainting himself with the euphonium (his first instrument), as well as starting the Denmark-based record label Marsken Records. He is on the faculty at the Music and Theater Folk School in Toftlund, Denmark. He lives in Toftlund with his wife and daughter.

New Media Art & Sound Summit 2020

Are you interested in putting together a custom sound art or experimental music based performance to be featured in our festival next year?

Send us your proposal!

Please include the related bios/links to each of your project partners, a paragraph about the project and also the technical requirements and stage plot for your set. Proposals submitted before December of 2019 have the best chances of being accepted for 2020. Thanks for reading this post!

“Noise Circle”

“Noise Circle” is a conceptual installation comprised of many Austin, Tx regulars in the noise/DIY sound art scene. It is a yearly tradition at the New Media Art & Sound Summit and pays tribute to the origins of COTFG from the early days. This year the players will be placed in various areas within Ground Floor Theatre.

The players Quttinirpaaq, Aunt’s Analog, Wim Ceuppens,Wolf Party, Micro Minx, Niemand, Tigre Merde, Ernestina Forbis and will be gently conducted by Melissa Seely